He is great but I think he autotuned his voice a bit.
He sings the wrong melody in the 2nd verse and he does go up in the 4th verse, but he sounds like he's struggling with the notes there. In the end he goes much higher without any trouble?
I love the melody changes at the end though! Well done.
Not because he was bad. Didn't hear enough to determine that just yet.
But I couldn't get past the female impersonating and unnecessary high pitch. Even women don't sing that daintily and that high. I might watch it when I'm in a better mood.
Sorry I let you down, Mr. Joey. :S
Recreation of original John Cameron orchestration to "On My Own" by yours truly. Click player below to hear.
He needs a very strong manager/producer to stop him making a lot of foolish musical choices--What kind of fool am I-blew me away.Looked at some of his other songs-too many vocal gimmicks at the moment -even Cleo Laine didn't show off that much.But such a cutie-just wonder where a voice like that will end up.
Those eyebrows, that voice. Ryan Murphy and Kurt from Glee have a lot to answer for.
As for the 3.41 mark, oy vey.
Well I didn't want to get into it, but he's a Satanist.
Every full moon he sacrifices 4 puppies to the Dark Lord and smears their blood on his paino.
This should help you understand the score for Wicked a little bit more.
Tazber's: Reply to
Is Stephen Schwartz a Practicing Christian
Too much imitating of Mariah Carey. From the faces to the hand gestures. The "aren't I so cute and good faces?" are grating. He does have a shocking range though.
"I think Glee is way too sharp, smart, witty, clever and emotionally confronting for the masses." - Dave19 -
"What's next? Snow Black and the 7 Swaggers? Shasquirta and the Beast? 101 Weavematians?
Willis in Ghettoland?" - Dave19, in reference to the new ANNIE remake.
2013 Theatre: Loserville ***** Merrily We Roll Along ***** La Bohéme (Royal Opera House Live) **** One Man, Two Guvnors (UK Tour) * Oliver! (UK Tour) ***** Lulu (Welsh National Opera) ***** Driving Miss Daisy (UK Tour) [x2] ***** Sexual Perversity in Chicago *** Madame Butterfly (Welsh National Opera) *** High Society (UK Tour) *** Singin' In The Rain ***** The Ladykillers (UK Tour) ***** Peter And Alice ***** A Chorus Line ***** Once *** A Chorus Line ***** GHOST: The Musical (UK Tour) **** The Great Gatsby (Northern Ballet) ***** RENT - 20th Anniversary Concert ** The Woman in Black (UK Tour) ** Matthew Bourne's Sleeping Beauty ***** Lohengrin (Welsh National Opera) **** The Three Phantoms **** Wagner Dream (Welsh National Opera) * The Audience ****
Very interesting and unique. Thank you for sharing, PalJoey. You always have something new and intellegent to add to the board!
"TO LOVE ANOTHER PERSON IS TO SEE THE FACE OF GOD"- LES MISERABLES---
"THERE'S A SPECIAL KIND OF PEOPLE KNOWN AS SHOW PEOPLE... WE'RE BORN EVERY NIGHT AT HALF HOUR CALL!"--- CURTAINS
My favorite part of the song is when he stopped singing.
"I think Glee is way too sharp, smart, witty, clever and emotionally confronting for the masses." - Dave19 -
"What's next? Snow Black and the 7 Swaggers? Shasquirta and the Beast? 101 Weavematians?
Willis in Ghettoland?" - Dave19, in reference to the new ANNIE remake.
Like many young artists, he seems to feel the need to show us every single note he has in every song he sings instead of considering what the song wants. Fierce voice though.
One thing I did like about this, was the way he comes back after the instrumental, "I had a dream my life would be . . ." - probably not what the song "needs" in the context of the show, but as stand-alone, I had not heard that before. The uber high notes at the very end, however, not for moi.
"Observe how bravely I conceal this dreadful dreadful shame I feel."
To me it appears to be a lot of sparkly plastic style minus any substance - artificiality without content. Those slapping gestures don't equal "feeling," nor do random ultra-high notes equal good singing.
joined:3/11/04
Posted: 1/5/13 at 08:28pm
joey