I hope my Friend of Dorothy card is not revoked, but I'm starting to not like Ethel Merman. Whenever I listen to her on Sirius XM on Broadway, her voice is coming across as annoying. I mean, I used to like her strength and power, but there's really not much variety in her musical approaches. I understand her appeal and all throughout the years, but Ethel's voice is now more of an irritant than anything else. from RC in Austin, Texas
Agree re: Tony Vincent. He used to be one of my favorite young actors and now he's gone off the deep end and I haven't liked him in much recently (including that awful appearance on the Voice.)
I was never a huge Sutton fan, but I certainly was a much more enthusiastic audience than I am now. Anything Goes was a disappointment for me, and I'm kind of just over her whole ~dorky~ persona.
I also used to be a huge Bernadette Peters fan, and no longer am.
Agreed on Tony Vincent. Chose my username after him in my ignorant youth. Soured on him during his shrieking episodes on the Voice, and my disillusionment was only confirmed with Twittergate.
The Pone. I was pretty crazy about her years ago, but then she became a shrew to work with and a broad caraciture of herself. I want the old girk back.
I believe she has a wonderful voice, and I loved her on Pushing Daisies and GCB, but not much else. And she has ruined her face with all the plastic surgery.
She looked her best between the Kudisch and Wicked years.
I have similar feelings re: Rylance. BOEING-BOEING felt like a breath of fresh air. Then LA BETE seemed like tired schtick. And JERUSALEM was more feat of endurance than performance.
Mark Rylance. Saw him in London do RICHARD II, marvelous. Saw him in Brooklyn do MEASURE FOR MEASURE, marvelous. Saw BOEING BOEING, marvelous. Then LA BETE, then JERSUSALEM, and I'm not sure I'd bother seeing him again.
Matthew Broderick. Although he was terrific in his guest role on Modern Family, I don't like much of his recent work. And he was such a terrific young actor.
Sad to see Matthew, Patti, Bernadette and Kristin's name in this thread
But to answer the thread... As much as it (sort-of) pains me... Idina Menzel. Perhaps now that I am older and can REALLY listen and pay attention, her terrible technique and "one-trick pony" style is, well... boring.
In all seriousness, I'll start with the ones most people have brought up the most, namely Patti. I still enjoy her in performance but when she's bitching about the sound system in theaters in interviews, it's like, "Just man up and take a damn Tylenol."
As for Tony...yeah, Twittergate.
Never even got around to liking Morgan James. Heh.
One that most people probably won't bring up is German musical theater actor Uwe Kroger. He was like THE number one star in Germany and Austria years ago but around '08 or '09 or so...he blew out his voice. And he's still tryin' to keep up his career. And it's sad.
Can't respect Hunter Foster and Jen Cody too much these days. Or Christopher Seiber for that matter.
John Lloyd Young...need I say more?!
Natascia Diaz...all you have to do is read her quote in The Theater Will Rock and/or look at her Facebook page to know she is a nightmare to work with and totally full of herself.
With Sutton, it was the complete opposite for me. I don't like Millie or Little Women but she started to grow on me after Drowsy. Even enjoyed her in Anything Goes.
Maybe if I worked in the performance/production sphere of theatre I'd feel differently, but I don't think I've ever stopped liking a performer because of their personality. I try to separate talent from personal behavior.
I can only think of 2, and they were already named - Bernadette and Chenoweth. I don't hate 'em, I just don't enjoy their performances as much as earlier. Chenoweth has become pretty shrill and hysterical, and Bernadette is resorting to over-acting to mask an aging voice.
So - ha! You're negative list is longer than mine.
joined:3/4/06
Posted: 12/4/12 at 08:11pm