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So I should be excited about The Anarchist, but...

KirbyCat
Broadway Legend
joined:4/23/08
...I'm kind of more excited to hear how the Golden's facelift went! Whoever goes, please report back!
Also let us know about the show, too... because I am actually excited to hear that too!
ljay889
Broadway Legend
joined:8/4/04
I will be there tomorrow.
Catch that dirt.
Rainbowhigh23
Broadway Star
joined:3/29/12
It's great when the theater experience includes excitement about the physical beauty of the house itself. It's was what made Loews want to make movie palaces, where sometimes the theater itself is more exciting than the movie.

I doubt, in this case, though, anything could be more exciting than Patti LuPone as a prisoner. I am very excited to see this production!
Jordan Catalano
Broadway Legend
joined:10/9/05
Should I bring my sleeping back to this camp?
"I think Glee is way too sharp, smart, witty, clever and emotionally confronting for the masses." - Dave19 - "What's next? Snow Black and the 7 Swaggers? Shasquirta and the Beast? 101 Weavematians? Willis in Ghettoland?" - Dave19, in reference to the new ANNIE remake.
Playbilly
Broadway Legend
joined:3/30/12
I'm kinda excited too.
"Through The Sacrifice You Made, We Can't Believe The Price You Paid..For Love!"
meyerd584
Swing
joined:9/28/11
Will be there tonight for the first preview and will report back on both!
Rainbowhigh23
Broadway Star
joined:3/29/12
I'm now torn between Scandalous or The Anarchist for my Friday show, after my Schmackary's run.
Visceral_Fella
Broadway Star
joined:1/18/12
I have an opportunity to see Cyrano and The Anarchist Friday. I don't know which one I should see.
showchoirguy
Broadway Star
joined:7/14/10
Got my tickets for next week on Wednesday! Right after seeing Drood !
aasjb4ever
Broadway Legend
joined:3/29/09
Visceral, see Anarchist. I haven’t, but anything is better than Cyrano. Horrible.
Aren't you glad I've shortened my signature?
WhizzerMarvin TrinaJasonMendel
Broadway Legend
joined:5/26/05
Hmmm...this one was a bit of a head-scratcher. The general premise holds a lot of promise: Patti plays a prisoner up for a parole after having serviced 35 years of a sentence for some unknown crime. Winger plays her lawyer/parole officer type character who is about to retire. Patti claims to have undergone many changes. She's written a manuscript and she's found religion (Christianity) and wants to join a convent if she's released. She still won't give up her accomplice though, which would be the ultimate sign in Winger's eyes if she was truly a changed woman.

So, has Patti really changed or is it all an act? Will she get paroled/will Winger testify that she's a new woman?

The dialogue just doesn't zing enough and it really meanders around what's going on. It only ran about 75 minutes tonight, but it only felt like they repeated everything in my above two paragraphs for those 75 minutes.

Patti is good, but she's a little too committed to playing the innocent, doe-eyed convert. I know she has to either really be a changed person or at least convincingly faking it, but either way it would be good to see some fire underneath. I think she's on her way to getting there though.

Winger stumbled around on some lines here and there, but I guess the ping pong of Mamet takes some getting used to in public performance. Her role is less interesting that Patti's. She needs to play the listener and see if Patti will give up the accomplice or reveal that she's really not the new woman she claims to be. You assume she's going to have the big final monologue/moment, but it never really came.

As many of you know I love going to first previews, but this is one of the rare instances where I wish I was seeing a later performance. I think there will probably be some rewriting of lines (Mamet is writing and directing) and both performances will certainly get better as time goes on.

Compared to stuff like Dead Accounts at least The Anarchist had good intentions and tried to offer up something thought-provoking, etc. This is the type of play that you might walk out of the theater thinking, eh that wasn't really much, but then 4 days later still be discussing it with your friends.

I wish them the best in tightening and fixing things up.

Marie: Don't be in such a hurry about that pretty little chippy in Frisco. Tony: Eh, she's a no chip!
Updated On: 11/13/12 at 10:27 PM
Jordan Catalano
Broadway Legend
joined:10/9/05
Seriously, theyre charging $130 for 75 minutes?
"I think Glee is way too sharp, smart, witty, clever and emotionally confronting for the masses." - Dave19 - "What's next? Snow Black and the 7 Swaggers? Shasquirta and the Beast? 101 Weavematians? Willis in Ghettoland?" - Dave19, in reference to the new ANNIE remake.
aasjb4ever
Broadway Legend
joined:3/29/09
It’s only $2 a minute! What a bargain!
Aren't you glad I've shortened my signature?
meyerd584
Swing
joined:9/28/11
I agree though I think I disliked it way more than you.
I just posted my review in the new thread.

Did you notice a lot of people leaving mid show? I was towards the back, so I had a nice view of the runners.
WhizzerMarvin TrinaJasonMendel
Broadway Legend
joined:5/26/05
Yeah, I thought it was going to be 90 minutes, but I was out of the theater by 9:15. It almost felt like the one act of two. Not that we needed to spend another act with these characters, but maybe something thematically similar.

Better yet act two could be a different case, but this time Winger is the one up for parole and Patti is the lawyer. Could be interesting, but I seriously doubt that's in the cards.
Marie: Don't be in such a hurry about that pretty little chippy in Frisco. Tony: Eh, she's a no chip!
meyerd584
Swing
joined:9/28/11
I had a fleeting thought of the two of them switching roles every performance a la True West with John C Reilly and Phillip Seymour Hoffman.

But I don't think Winger is strong enough to handle the prisoner role and I wouldn't go back to hear that same dialogue again if you paid me.

Even the ending (Slight Spoiler below)
-------
was very tired. It's been done before and wasn't much of a surprise. I didn't really care who was right or wrong, if she deserved to be out or not.
WhizzerMarvin TrinaJasonMendel
Broadway Legend
joined:5/26/05
meyerd- I just read what you wrote. I was in the mezz and I don't think anyone left up there (not that there were that many to begin with). I didn't hear very positive comments from people while exiting though.

I feel like I've seen FAR worse plays than this, but in general I agree with what you wrote- I guess I'm just putting a nicer spin on things because I liked the premise and I truly believe changes will be made. I didn't want to critique Winger too harshly because I think her lack of character can be attributed to the fact that she was clearly very focused on remembering her lines. Patti already had the lines down and was further along on molding a character.

Many people here are going to want to see this simply because Patti is in it (and rightly so). I won't discourage anyone from going, but I would advise to wait a week or two so the actors and play can settle in.
Marie: Don't be in such a hurry about that pretty little chippy in Frisco. Tony: Eh, she's a no chip!
frogs_fan85
Broadway Legend
joined:12/3/05
Ok but more importantly, how does the theater look?
WhizzerMarvin TrinaJasonMendel
Broadway Legend
joined:5/26/05
meyerd- You hit on a problem that could be easily fixed. The crime Patti committed is never fully explained, and you don't really even care about what happened/is she innocent/should she give up the accomplice. That's why when you get to the end it's hard to care what Winger is going to decide.
Marie: Don't be in such a hurry about that pretty little chippy in Frisco. Tony: Eh, she's a no chip!
After Eight
Broadway Legend
joined:6/5/09
A monotone drone of talk, talk, talk, talk, talk. No snap, no spark, no interest.
ljay889
Broadway Legend
joined:8/4/04
Maybe it's a good thing I didn't get to go tonight....

Catch that dirt.
meyerd584
Swing
joined:9/28/11
I'm the worst to ask when it comes to theater restoration. I have no eye for design. I recognized it looked different than before, but didn't wow me.
I was just relieved that my old "Restrooms are downstairs only" usher was back in full swing. I've passed her since Avenue Q days and she's a staple of the Golden for me.
WhizzerMarvin TrinaJasonMendel
Broadway Legend
joined:5/26/05
I thought the restoration was nice, but not as beautiful as the Belasco renovation, which I was reminded of at Golden Boy the other night.
Marie: Don't be in such a hurry about that pretty little chippy in Frisco. Tony: Eh, she's a no chip!
meyerd584
Swing
joined:9/28/11
Yes I agree. I think I had a good understanding of the crime, but not why she did it or details of her accomplice.

Also, there isn't enough story for the warden to care about her decision either.
The big "gasp" moment at the end wasn't interesting to me in the slightest.
PianoMann
Featured Actor
joined:5/12/11
These comments sound a little bit like the reaction to Mamet's second most-current work Race. I did thoroughly enjoy it because of the excellent cast and and seeing a new Mamet piece for the first time, but most thought it was luke-warm by Mamet standards. If anyone saw both, how does this compare to Race, in terms of Mamet's writing and pacing?
After Eight
Broadway Legend
joined:6/5/09
^

This is far worse than Race in every respect.

That one at least had some life in it.

This one is dead on arrival.

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