Click below to access all the grosses from all the shows for the week ending 9/30/2012 in BroadwayWorld.com's grosses section.
Also, you will find information on each show's historical grosses, cumulative grosses and other statistics on how each show stacked up this week and in the past.
solid numbers all around, especially for this time of year. Nice Work almost grossing $1 million & Once is back over $1 million.
A Chorus Line played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013.
I knew that once the fall convention season started NICE WORK would start seeing big grosses again. It is exactly the type of show a conventioneer who has spent the entire day in boring meetings will want to see and having Ferris Bueller in the lead doesn't hurt.
Good call, Bobs! I am thrilled that this show seems to be picking up more audience and I think the new marketing with Matthew & Kelli's photos instead of caricatures has helped a great deal. Matthew has done a lot to promote this show. His tv appearances on Modern Family and 30 Rock will also help the box office.
"are you two going to renew your vows"? "Why, did they expire??"
"I'm raisin hell and I'm a felon in a four foot frame" --- Bring It On: The Musical.
"It's supposed to hurt. That's how you know it meant something" -- Peter and the Starcatcher.
I understand the weekly nut for Spiderman is $1.2m.
The last 2 weeks Spiderman has earned under this.
2013 Shows: (New York: Glengarry Glen Ross*** Picnic**** The Lion King**** Mamma Mia**** Who's Afraid of Virginia Woofe**** The Other Place*** Nice Work, If You Can Get It** Annie**** The Phantom of the Opera**** Cat On A Hot Tin Roof*** Cinderella**** Evita**** (Final Performance) The Mystery of Edwin Drood*** Mary Poppins*****) London: Salad Days** Great Expectations*** This House** Chess**** A Chorus Line**** Quartermine's Terms**** Old Times*** The Curious Incident of the Dog in the Night Time***** Dear World*** People**** Viva Forever** Peter and Alice** The Wimslow Boy***** Proof**** Our Country's Good* The Tailor Made Man**** Darling of the Day*** Top Hat*** A Judas Kiss*** Spamalot*** Once**** Wicked** A Chorus Line**** Book of Mormon***** Hairspray**** (Tour: Southampton) Sleeping Arrangements***** The Revenge of Sherlock Holmes*** The Pajama Game***(Chichester)The Thrill of Love*** Hymn**/Cocktail Sticks**** Merrily We Roll Along***** The Weir**** The Hot House**** The Rise and the Fall of the Little Voice***** (Churchill, Bromley) Ghost*** (Wimbledon) To Kill A Mockingbird*** (Open Air) Beautiful Thing*** The Phantom*** Charlie and the Chocolate Factory*** Relative Speaking****
"I understand the weekly nut for Spiderman is $1.2m. The last 2 weeks Spiderman has earned under this."
It is more complicated than that. It may be $1.2 million at full royalties, but contracts with composers, writers, directors, the theater owner and other royalty participants are quite often written in a way that if a show doesn't meet the weekly nut, there are reduced or deferred royalties.
It's not like there are line of shows waiting to get into the Foxwoods (or whatever they are calling it these days).
joined:5/3/03
Posted: 10/1/12 at 02:58pm