I agree whole-heartedly about Now/Later/Soon Prologue Into the Woods
I would also add Color and Light, Sunday in the Park with George Loveland Sequence, Follies Goodbye my love, Ragtime pretty lady through the slaying, Pacific Overtures Rock Island, The Music Man The Riddle Song, Floyd Collins The night duets, Caroline or Change The Prologue/The Dance at the Gym, West Side Story
Re: I would consider Now, Later and Soon three different songs.
I would too if they ended after Anne's song. But as they then morph into the counterpoint section, it really becomes a moment showing how they do belong together in some way - they are a family, it's just a little muddled at this point
Well, technically, each song stops before the next begins (although the first two having finite endings while Anne's is interrupted by Henrik's cello) and the trio of reprises starts.
It just seems to me that those are a different kind of song(s) than something like the Into the Woods opening.
But no offense meant to anyone; it's just how I see it.
TOTALLY unpopular but I just have a soft happy place for the Jellicle Ball. The Finale for Der Glockner Von Notre Dame and Carpe Noctem from Dance of the Vampires
"Meadowlark" is the first song that came to mind when I read the title of this thread. However, in comparison to some of these other favorites, it seem's like a quick stroll in the park.
I did indeed mean to include the Journey On section.
It's interesting, Lot's Wife wouldn't qualify as an extended musical sequence according to The Day Off definition. I love love love Caroline and Lot's Wife is certainly (to me) the apotheosis of the score, character and themes. But it's not really an extended musical sequence (of course neither are some of my other selections).
To that end, I would add Bride's Lament sequence, The Drowsy Chaperone War is a Science -> Glory The "war sequence", Pippin The Trial Sequence, Parade
joined:7/17/07
Posted: 8/21/12 at 11:14am