Yup. I saw him last Friday night. I'd seen Borle previously, but my kids had not. They loved the show.
He's missing the over the top element that made Borle such a standout. Some will think its the way the show should be, a more even ensemble piece, but I did feel some of the laughs were gone and the energy a tad lacking.
Don't get me wrong, it was still an entertaining evening and I'd still reccomend the show to most people.
I saw Christian Borle at NYTW and loved him. I bought tickets in advance for last weekend but was really disappointed when he said he was leaving. I saw Matthew and didn't care for him. Christian was wonderfully over the top and made so many hilariously specific choices. Matthew just didn't do it for me. Maybe he'll grow into the role a little more. I'm hoping that Christian will come back after he's done filming Smash.
I've never "got" Matthew Saldivar, and I groaned when I read he was the replacement. I was really hoping I would be proved wrong, but first impressions aren't so much.
I saw him last week, and was expecting he would be fired this week (a la Henry Goodman) because he really dropped the ball in more than a few scenes, and had absolutely no comic timing or stage presence.
Borle's hard to replace, that's for sure. The only show I enjoyed a replacement/understudy for Borle was Legally Blonde. But that's because his understudy was the now-leading-man Andy Karl.
I was really hoping Santino Fontana would replace Christian. He has such presence and when he performs he performs 120% just like Christian. He is an up and coming star and I think he would have a great job. Maybe they can put him if they replace Matt.
They couldn't let him do it for a couple of months? To keep ot open before Christian possibly comes back? I didn't know you couldn't do anything else while you are workshopping a show. Oh and I meant to write do a good job not have a good job. I mean he would have a great job but its not what I meant to write :P
Because, as we all know, no actor is really ready to give a performance of any value until they've had at least a month to play it in front of paying customers (after several weeks of full-time rehearsal).
I didn't get to PETER until Christian's last week, and from what I'm reading, I'm glad I didn't wait. Yes, he was brilliantly over the top, and I loved him and the play itself.
But it really is too early to over judge Matthew. Christian was a very big presence, and it will take anyone a while to fill his spot. Let's give him a chance, guys.
And the show is already hurting, as business was down significantly after Christian left, so let's keep it going, it's a great show.
"Because, as we all know, no actor is really ready to give a performance of any value until they've had at least a month to play it in front of paying customers (after several weeks of full-time rehearsal)."
I know you're being sarcastic but this drives me up a wall. The people in this thread saying it's "too early" to judge Matt are morons. Everyone paying 120$ to see Matt onstage can't judge him because he's not settled into the part yet? Really? You know what, if you're doing paid performances, you better be ready to go. It's Broadway, not a regional production of Oklahoma in bumf*ck nowhere. I'm so sick of people saying that actors need to be given time. They absolutely do not. It is their job to get onstage and give 110% and give their best performance every night. And if they don't, or aren't, that is on them and people are more than entitled to judge the performance that they saw accordingly.
Well, to be fair, replacements do NOT get significant rehearsal time. They get some rehearsal with the stage manager and some understudies. It is not uncommon for their first run with the entire cast to be their first performance.
A lot of their prep time is WATCHING the show.
That being said, since MOST audience members could care less about whether it is the actor's first or 101st performance. And they deserve not to know/care.
Its hard to judge grosses the week AFTER the Tony Award winning actor leaves. Their grosses were strong from the Tonys and because Borle was leaving. It's not like this was playing to 100% capacity through most of its run and took a nose dive when Borle left. The last few weeks lots of folks made sure to catch it before he left.
In fact, Peter only made it into the 90% capacity during Borle's last two weeks. It's only averaging some like a 75% capacity throughout its' run.
joined:8/20/11
Posted: 7/10/12 at 05:52pm