The always-insightful Michael Feingold has some suggestions for companies looking to produce under-performed plays. I'd love to see "Boy on the Straight-Back Chair," "A Few Stout Individuals," and "Zero Positive."
I would love to see Life With Father, Come Blow Your Horn, The Girls in 509, Mary, Mary, Any Wednesday, Janus, Dark of the Moon, The Cantilevered Terrace, A Lovely Light, Look: We've Come Through, A Distant Bell, Those That Play the Clowns, Father's Day, The Pleasure of His Company.... so many others.
I worked in a dinner theater for a while- I had enough of Mary Mary and Any Wednesday to last a lifetime.
That is list is very interesting- I must confess I've never seen any of those shows and only read a couple of them.
No good can possibly come from using this vast wasteland of error and deliberate deceit. You should get off of it and warn others away. You should make sure your children and grandchildren know what a corrupt and morally bankrupt institution it truly is.
I'd add William Inge's underrated flop NATURAL AFFECTION. Also, I'd still love to see someone, anyone do the first play in John Guare's Lydie Breeze plays, WOMEN AND WATER.
MARY, MARY and ANY WEDNESDAY?? Jesus, why don't we just throw in CACTUS FLOWER, 40 CARATS, and UNDER THE YUM YUM TREE while we're at it?
"It's now rather very common to hear people say 'I'm rather offended by that'. As if that gives them certain rights. It's actually nothing more than a whine. It has no meaning, no purpose. It has no reason to be respected as a phrase. 'I am offended by that'. Well, so f**king what?"--Stephen Fry
"Jesus, why don't we just throw in CACTUS FLOWER, 40 CARATS, and UNDER THE YUM YUM TREE while we're at it?"
Well, the thread says American plays. The first two, and I love them both more than words can say, are American adaptations of French plays. But let's have revivals of both, by all means, and Under the Yum-Yum Tree too. And please, somebody, revive the hilarious comedy, UTBU.
I too would like to see Inge's Natural Affection. And also his play, A Loss of Roses.
The best American play, that has never had a Broadway revival, is Ketti Frings' adaptation of Thomas Wolfe's classic, LOOK HOMEWARD, ANGEL. It ran for nearly 600 performances in 1957-58, won the Pulitzer Prize and Drama Critics Circle Award for Best Play, and all three of its leading actors (Anthony Perkins, Jo Van Fleet and Hugh Griffith) were nominated for Tony Awards, as was the play. How can it be that this beautiful play, which I saw only once as an undergrad at Brooklyn College, has not been revived? Come on, Roundabout or Manhattan Theatre Club, attention must be paid!
Second on my list would be Lillian Hellman's prize-winning TOYS IN THE ATTIC, a terrific melodrama that also won the Drama Critics Award in its 1960 season.
And After Eight, I saw UTBU (which unaccountably stood for Unhealthy to be Unpleasant, why do I remember that ?) on its opening night. It was written by Jimmy Kirkwood (A CHORUS LINE still a few years away), directed by Nancy Walker (ditto CAN'T STOP THE MUSIC), and had a very starry cast (Thelma Ritter, Tony Randall, Alan Webb, Margaret Hamilton) and was miserably unfunny (one of the "U's" in the title should have stood for that!) It opened during the 1966 subway strike, and I recall having to run 30+ blocks to get to the opening on time.
LOOK WE'VE COME THROUGH, an underrated play by Hugh Wheeler from 1961 that ran only 5 performances. It is included in an out-of-print book titled "Broadway's Beautiful Losers". It is a romantic comedy and reads quite well. The original cast featured a very young, unknown actor named Burt Reynolds.
wow, bobs3, quite a cast for TOYS. now how do we get one of the not-for-profits to pay attention? I actually saw TOYS at one of the Roundabout readings quite a few years ago, and play's power as melodrama was still there.
I know Hellmann is out of style, but there's something to be said for the well-made play...
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joined:7/22/03
Posted: 7/4/12 at 01:08pm