Tonya Pinkins: Then we had a "Lot's Wife" last June that was my personal favorite. I'm still trying to get them to let me sing it at some performance where we get to sing an excerpt that's gone.
Tony Kushner: You can sing it at my funeral.
"I think Glee is way too sharp, smart, witty, clever and emotionally confronting for the masses." - Dave19 -
"What's next? Snow Black and the 7 Swaggers? Shasquirta and the Beast? 101 Weavematians?
Willis in Ghettoland?" - Dave19, in reference to the new ANNIE remake.
Amazing. ijay, it's Cheets, she will make it her own, it's a great role when played by a Master (Mistress). They are on the right track, Alan Cumming next please.
I so hope Drood extends- I'll be out of the country for a study abroad program this fall, but I would hate to miss a Broadway revival of Drood. And Chita as Puffer is such an interesting choice. She's not the most obvious for the role, but I'm sure she'll do wonders with it.
I hope I can manage to see this!
I am a firm believer in serendipity- all the random pieces coming together in one wonderful moment, when suddenly you see what their purpose was all along.
She will be DIVINE. Puffer is such a great role, and Chita is a legend.
Can't wait to see who they cast as Alice Nutting/Drood; hopefully not Sutton.
When I see the phrase "the ____ estate", I imagine a vast mansion in the country full of monocled men and high-collared women receiving letters about productions across the country and doing spit-takes at whatever they contain.
-Kad
ljay889, the role is GREAT for her. The role is that of a cocaine-addled slattern who may or may not (depending on the night and the audience) be the killer in this grand Guinole murder mystery. Cleo Lane was wonderful in the original cast and was very often chosen by the audience as the guilty party. (The orchestra had eight extra books for the last three numbers, each named for a character and when the killer was revealed, the grabbed the appropriate part and started sawing away.)
After seeing this in Boston in 2007, I desperately wanted to see Erin Davie play Rose Budd, and really hope that happens for this production.
When I see the phrase "the ____ estate", I imagine a vast mansion in the country full of monocled men and high-collared women receiving letters about productions across the country and doing spit-takes at whatever they contain.
-Kad
i am so emotional right now i can't even breathe. this is what i will be dreaming about every night until it opens. nothing could make me happier ever.
last production seen: "pippin" at the music box theatre.
With this and the news of Sondheim working on a new show all announced within the last 24 hours, it's a very special Leap Day. I just saw The Mystery of Edwin Drood at the Lincoln Center Archives 2 weeks ago and the thought of Chita in the Cleo Laine role has me grinning from ear to ear. Heck, the thought of seeing Chita in anything would make me all smiley, but a revival of Drood? Extra happy!
Completely agreed with the above statement- the Sondheim show and now this have put me over the moon.
Chita will be beyond brilliant in this role. It's perfect casting, in my opinion. If that's who they're pursuing for Puffer, I look forward to who else they cast. I hope Osnes is involved as Rosa after Roundabout worked with her in Anything Goes.
"Art, in itself, is an attempt to bring order out of chaos."-Stephen Sondheim
Please, please, Heidi Blickenstaff for Drood. Or anyone with a really powerful belt. I love Sutton, but not at all in this role.
I am a firm believer in serendipity- all the random pieces coming together in one wonderful moment, when suddenly you see what their purpose was all along.
The role is great, and Chita fits it well, with one exception ... but I have a feeling the whole cast will be in the same boat ... Princess Puffer is definitely a Whitechapel "East End" Cockney, and her songs are all broad Music Hall style. I think Chita will handle the style well enough (similar to Vaudeville), but not sure about the accent. I'll bet most if not all of the cast will be Americans in this production, so that will probably be the case across the board on casting.
Other than that, she fits the part really well. The songs should all be within her range, and the character runs an opium den (hence her nickname). Her big number, "The Wages of Sin," describes her past which includes prostitution, boozing, gambling, etc. She has other solos as well, but that's her best. Plus, she kicks off the shows biggest "show stopper," Don't Quit While You're Ahead.
I remember how engaging Cleo Laine was. Sort of like an aging Nancy in "Oliver!" She could really rouse the audience and get them singing along, etc. (as I say, Music Hall style).
Besty, Garden Path is the song that elaborates on Puffer's back story. Wages of Sin introduces us to the character and establishes the seedy world she inhabits.
"TO LOVE ANOTHER PERSON IS TO SEE THE FACE OF GOD"- LES MISERABLES---
"THERE'S A SPECIAL KIND OF PEOPLE KNOWN AS SHOW PEOPLE... WE'RE BORN EVERY NIGHT AT HALF HOUR CALL!"--- CURTAINS
Totally unexpected but inspired casting; Chita will definitely make the role her own (and likely get another Tony nomination in the process). Really delightful considering most of us expected the Roundabout to cast a television name who was in no way right for the part.
joined:5/27/05
Posted: 3/1/12 at 12:13am
Tony Kushner: You can sing it at my funeral.