Iknow. It's early. But as I've been thinking about the shows of the season, it seems as though Follies could (potentially) have a Best Choreo nomination...
Shows (I know this is a partial list) Nice Work Evita JCS Newsies Leap of Faith Follies Rebecca Ghost Godspell
I know many of these haven;'t open yet, but what do people think?
None of the shows that have opened thus far have had choreography anywhere near as good as the choreography in Newsies. I expect it, along with Nice Work, Follies, and perhaps Evita to be nominated.
LYSISTRATA JONES, I think, has a VERY good chance of scooping up that award. Not only was the choreography energetic, but also choreographing basketball shots and games into the show has to count for something.
It'll be a tight one between LYSISTRATA and NEWSIES...FOLLIES didn't strike me as very choreographic show other than "Who's That Woman?" and "Lucy and Jessie"
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I'm assuming Nice Work will have numerous classic Broadway dance numbers and given Marshall's three Tonys for choreography, she could easily end up being the front-runner. The other three nomination slots will likely go to Follies, Newsies and Lysistrata Jones unless Evita has something truly extraordinary in this production. Loads of even the most forgotten flops get nominated for choreography. Scottsboro Boys, 9 to 5, Xanadu, Cry-Baby, Curtains, Wedding Singer, Bombay Dreams, Never Gonna Dance, Urban Cowboy, Swing, Footloose, Steel Pier, The Life, Dream, Big, Chronicle of a Death Foretold, Ain't Broadway Grand...the list goes on and on.
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian
Yes I imagine it will be Newsies or Nice Work as the winner. As for the other nominees, there really aren't a whole lot of shows with dance this year unless they nominate someone for 'musical staging.'
Updated On: 1/22/12 at 09:05 PM
Wasn't she credited with the choreo for them? I seem to remember seeing that in the program. (I don't save my progams, so I cannot verify)
AND what about Once? While it isn't traditional, I found the choreography to be stunning in many places.
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
Looked it up on IBDB.com: Dance Consultant: Anne Reinking.
At least THIS time, I wasn't totally 'off' in my memory!
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
Some of the shows were still open for the Tonys, some closed in a matter a weeks long before the Tonys. As to the quality of the choreography, that's purely subjective. I'm just saying a nomination for Lysistrata isn't that remote.
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian
The NEWSIES choreo was far better than the early TV clips but it is still more a tumbling fest. (The less flashy KING OF THE WORLD was, for me, the only clever staging in the show. I hope Marshall does a little better than her usual boy/girl diamond pattern thing. FOLLIES could have great choreograph but it didn't. So far a piss poor season for dancing.
Not that I think Lysistrata Jones will win Best Choreography (personally I think Newsies will take it) A short list of shows that won the Best Choreography Award after closing:
Touch and Go – 1950 George M! – 1969 Seesaw – 1974 Ballroom – 1979
And a few I can remember off the top of my head that closed shortly (sometimes days) after winning the award.
Destry Rides Again – 1960 The Happy Time – 1968 Follies – 1972 Big Deal – 1986
Still, it's way too early to make any real predictions, yet here we are. Chalk it up to winter boredom.
The other three nomination slots will likely go to Follies, Newsies and Lysistrata Jones unless Evita has something truly extraordinary in this production.
For better or worse, a lot of the choreography of Evita was built around the fact that Elena Roger was a professional tango dancer. This production requires more from Evita than other productions have. But weren't even those pretty dance heavy?
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It's just that Rob Ashford is choreographer, and I've really disliked what he did with "Promises, Promises" and "H2$". He lacks any kind of subtlety or nuance. I hate to say it but I've found his work to come across as soulless, overdone and lengthened to the point of tediousness. Yes, his numbers are large and splashy, but all seem to have no heart or purpose. He puts on extravagant routines just because he can-- even if it doesn't work within the context of the show. Just look at what he did to Brotherhood of Man, Grand Old Ivy and Company Way for starters.
I've only seen a clip of the London Cast performing Buenos Aries from "Evita"-- but I really wasn't impressed with it at all.
Who knows, maybe the rest of the show was better. Judge for yourself: