R. Scott Reedy - Page 3

The 41st annual Elliot Norton Awards, presented by the Boston Theater Critics Association (BTCA) on May 20 at the Huntington Theatre, promises to be a big night for scenic designer Janie E. Howland. Read our interview.

There were three great pianists on the program when the Boston Pops recently opened its 138th season at Symphony Hall.

What did our critic think of JERSEY BOYS at North Shore Music Theatre?

What did our critic think of AN EVENING WITH LESLIE ODOM, JR. at Emerson Colonial Theatre?

Morning, Noon, and Night, being given its world premiere by C1 in a co-production with Boston University’s College of Fine Arts at the Plaza Theatre, Boston Center for the Arts, through May 25 – follows a mother and daughter, Mia and Dailyn, as they struggle to feel seen and supported by each other.

Between its 2019 off-Broadway run, 2021 Washington, D.C., staging, and 2022–2023 Broadway engagement at the Lyceum Theatre, the musical “A Strange Loop” – with music, lyrics, and book by Michael R. Jackson – has won a much-deserved 2020 Pulitzer Prize for Drama and the 2022 Tony Awards for Best Musical and Best Book of a Musical. It has also earned a place as one of the most talked-about, must-see new musicals in recent years.

What did our critic think of CLUE: A NEW COMEDY at Emerson Colonial Theatre?

Under Larry Sousa’s wonderfully imaginative direction and with his choreography, a 16-person company of some of Boston’s brightest, most versatile performers is bringing the Canadian musical, with music and lyrics by Lisa Lambert and Gregg Morrison and book by Bob Martin and Don McKellar, to dazzling life with delightfully silly production numbers aplenty and a well-served soupçon of heart-tugging emotion.

While a student at Thayer Academy in Braintree, actor, singer, and director John Ambrosino saw his earliest Broadway shows – from “Sunset Boulevard” to “Victor/Victoria” and, in his senior year, “Titanic” with Brian D’Arcy James, brother of the school’s then Head of Drama, Anne James.

Bittersweet serendipity will be in the air when actor Gordon Clapp takes the stage in the Boston premiere of “Robert Frost: This Verse Business,” being presented April 23–28 by Spring Pool Arts at the Calderwood Pavilion, Boston Center for the Arts.

Tony Award winner Maryann Plunkett has played a wide range of roles in her Broadway career. The Lowell native’s latest, an elderly woman dealing with dementia, in “The Notebook: The Musical,” may be her most personal, however, as she recalls her own mother’s struggle with debilitating memory loss to bring her current character to life.

More than 50 years after its original Broadway production, which had a Boston tryout at the Shubert Theatre, the Stephen Sondheim musical Company, with book by George Furth, had its third revival in 2021, in a sprightly, cleverly reimagined, gender-swapped production that won five Tony Awards including Best Revival of a Musical.

What did our critic think of ANTHONY RAPP'S WITHOUT YOU at Calderwood Pavilion At Boston Center For The Arts?

In the past few years, Patti LuPone has resigned from Actor’s Equity Association and suspended her legendary Broadway career, but as she proved with her Celebrity Series of Boston performance at Symphony Hall on April 2, the three-time Tony Award winner can still command a concert stage.

What did our critic think of ALAN CUMMING IS NOT ACTING HIS AGE at Sanders Theatre? In his eponymous show Alan Cumming Is Not Acting His Age, the performer definitely lives up to the title.

Award-winning composer, arranger, conductor, musical director, music copyist, and orchestrator Alex Lacamoire has collaborated with some of the biggest names in musical theater.

What did our critic think of COST OF LIVING at Roberts Theatre, Calderwood Pavilion At Boston Center For The Arts?

Cher needs only one name to be immediately identified. When it comes to dramatizing her life for the stage, however, it’s not surprising that it takes three performers to play her in the Tony Award-winning musical “The Cher Show,” which comes to the Boch Center Wang Theatre March 15–17 on its North American tour.

When you’re considered to be one of the greatest songwriters ever, with a catalogue stretching back 60 years, it’s not surprising that you would want to put your music in proven hands when it’s time for Broadway.

What did our critic think of JOHN PROCTOR IS THE VILLAIN at The Huntington?