Deborah Blumenthal originally planned on a career studying dolphin brains, but (quite logically) made the leap to theater in college, and has been proudly bridging the gap between scholastic and artistic nerds ever since. She received her BA in American Studies with a concentration in theater and performance criticism from Barnard College, where she wrote her undergraduate thesis on John Doyle?s revival of Company, and was a staff writer for the Columbia Daily Spectator?s theater section. She recently associate produced a concert staging of Jekyll & Hyde to benefit the New York Society for Ethical Culture, in which she also played trumpet with a remarkably good-looking orchestra. Deborah has additionally worked with Second Stage, The Public, Ars Nova, Broadway Bullet, Clubbed Thumb, The Playwrights Realm and Voice & Vision Theater. She shamelessly embraces her status as a revival hugging repeat offender, loves the Delacorte Theater?s baby raccoons, and is excited to be joining the BroadwayWorld reviewing team.
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