Undercover Showtunes #5: Christian Campbell

New York Musical Theatre Festival concludes its first-ever Spring Concert Series with "Undercover Showtunes" on Monday, June 18 at 7PM at The Zipper Factory (336 W 37th St.) in Manhattan.

"Undercover Showtunes" is a unique concert comprised of pop and rock songs that weren't written for musicals, but sound as if they might have been – songs that tell a story, create a character, paint a full, vivid portrait as a great song in a musical is meant to do.

For more information on "Undercover Showtunes" and purchase tickets visit the show website at NYMF.org.  Tickets are $50 and $90 with post-concert cast party included by calling 212-352-3101 or visiting online.  Discounts are available here.

Christian Campbell (Great Expectations, Reefer Madness, NYMF's Drift) is one of the many talented Broadway and screen actors performing at "Undercover Showtunes."  BroadwayWorld.com's Eugene Lovendusky, based in San Francisco, got the opportunity to chat with Campbell about the up-coming concert and his past/future projects…

Eugene Lovendusky: Hi Christian! What song will you be performing Monday, June 18?

Christian Campbell: "16 by 32" by The Decemberists.

Eugene: Some musical theatre fans feel they simply cannot find anything better than the music, lyrics and orchestrations showtunes provide… especially not on the radio.  How do you feel about this opinion and what kinds of music do you know of outside of musical theatre (like those presented at "Undercover Showtunes") that might tickle their fancy?

Christian: I find it difficult to fully enjoy musical theatre songs if I don't know the storyline of the show they are from as well as the context.  Of course I can appreciate the musicality of the pieces and sometimes the lyrics are generic enough to be listened to without reference, but I often feel cheated if I don't know what the hell is making this person burst out into song.  As for tunes that are written in and of themselves for popular consumption, they are often written in such a way that there may be many ways to interpret or relate to them.  This can often lead to shallow or empty songs but it more often let's me enjoy the music without having to give it too much thought.  Frankly I don't listen to lyrics (a problem in that I apparently work in musical theatre) I just want a good tune that doesn't require the use of too much grey matter.

Eugene: What kind of music were you raised on?

Christian: Classical, traditional Scottish, world (whatever that means), and a great deal of Jazz.

Eugene: And what kind of music do you find yourself most often listening to today?

Christian: My ipod currently shows Koop, Immortal Technique, Rufus Wainwright, Imogen Heap, Damien Rice, Bill Evans, My Chemical Romance and Snow Patrol as my most played artists.

Eugene: You last appeared with NYMF in your 2006 award-winning role in Drift. Was that your first experience with NYMF? And what was it like?

Christian: It was my first experience with NYMF besides having seen a few of the festivals shows.  The experience of being in Drift was one of the more challenging, terrifying and gratifying acting experiences I've had in a long time.  I was scared shitless so of course I had to do it.  It worked out well I think.