The Pulitzer Prize for Drama was awarded to A Streetcar Named Desire in 1948 and to Cat on a Hot Tin Roof in 1955. These two plays were later filmed, with great success, by noted directors Elia Kazan (Streetcar) with whom Williams developed a very close artistic relationship, and Richard Brooks (Cat). Both plays included references to elements of Williams' life such as homosexuality, mental instability, and alcoholism. Although The Flowering Peach by Clifford Odets was the preferred choice of the Pulitzer Prize jury in 1955 and Cat on a Hot Tin Roof was at first considered the weakest of the five shortlisted nominees, Joseph Pulitzer Jr., chairman of the Board, had seen Cat on a Hot Tin Roof and thought it worthy of the drama prize. The Board went along with him after considerable discussion.[6]
Williams wrote The Parade, or Approaching the End of a Summer when he was 29 and worked on it through his life. It seemed an autobiographical depiction of an early romance in Provincetown, Massachusetts. This play was produced for the first time on October 1, 2006 in Provincetown by the Shakespeare on the Cape Production Company, as part of the First Annual Provincetown Tennessee Williams Festival.
The Parade, or Approaching the End of a Summer was among several works published by New Directions in the spring of 2008, edited and introduced by Williams scholar Annette J. Saddik. This collection of experimental plays was titled The Traveling Companion and Other Plays.usc
Williams' last play A House Not Meant to Stand is a gothic comedy published in 2008 by New Directions with a foreword by Gregory Mosher and an introduction by Thomas Keith. Williams called his last play a "Southern gothic spook sonata."
Other works by Williams include Camino Real and Sweet Bird of Youth.
Tickets for the event are $25 for the public and $15 for museum members. Members of Sponsor level and above may attend the discussion for free. Tickets may be purchased online or through the museum at 718-784-4520.
The Museum of the Moving Image exists to expand public understanding and appreciation of the art, history, technique and technology of film, television, and digital media by collecting, preserving, and providing access to moving-image related artifacts via multimedia exhibitions and educational programming. The exhibits include significant audio/visual components designed to promote an understanding of the history of the industry and an understanding of how it has evolved. Panel discussions about current movies are frequently held at the museum. It is also home to one of the most significant collections of video games and gaming hardware. The museum's attendance has grown from 60,000 in 2000 to almost 100,000 in 2007, underscoring the need for expansion.
For more information, visit movingimage.us.
