The Play Company is thrilled to present Susan Quinn, acclaimed author of "Furious Improvisation: How the WPA and a Cast of Thousands Made High Art out of Desperate Times" as part of The Play Company's event series Idea Lab. Ms. Quinn uses rare archival footage culled from the National Archives to illustrate the story of one of the New Deal's boldest initiatives - The Federal Theatre Project.
Furious Improvisation is a vivid portrait of the turbulent 1930s and the Roosevelt administration as seen through the WPA's Federal Theater Project.
Under the direction of Hallie Flanagan, a daring 5-foot dynamo, the Federal Theater Project managed to turn a WPA relief program into a platform for some of the most cutting-edge theater of its time. This unique experiment by the U.S. government in support of the arts electrified audiences with exciting, controversial productions, created by some of the greatest figures in 20th century American arts-including Orson Welles, John Houseman and Sinclair Lewis. Plays like Voodoo Macbeth and The Cradle Will Rock stirred up politicians by defying segregation and putting the spotlight on the inequities that contributed to the Great Depression.
In Furious Improvisation, Susan Quinn brings to life the challenges of this desperate era when Franklin Delano Roosevelt, Eleanor Roosevelt and the tough-talking idealist Harry Hopkins furiously improvised programs to get millions of hungry, unemployed people back to work. Quinn's compelling story of politics and creativity reaches a dramatic climax with the entrance of Martin Dies and his newly-formed House Un-American Activities Committee, which turned the Federal Theatre Project into the first victim of a Red scare that would roil the nation for decades to come.
Furious Improvisation is an engrossing portrait of the turbulent 1930s, rich in humor and anecdotes which combine to tell not only the story of the theatre project but also of the Great Depression and government intervention in a time of national peril, a time when the still-pressing issues of discrimination, injustice and the meaning of liberty commanded center stage.
Susan Quinn grew up in Chillicothe, Ohio, and graduated from Oberlin College. She began her writing career as a newspaper reporter on a suburban daily outside of Cleveland, following two years as an apprentice actor at the Cleveland Playhouse. In 1967, she published her first book under the name Susan Jacobs: a nonfiction account of the making of a Broadway play called On Stage (Alfred A. Knopf). In 1972, after moving to Boston, she became a regular contributor to an alternative Cambridge weekly, The Real Paper, then a contributor and staff writer on Boston Magazine. In 1979, she won the Penney-Missouri magazine award for an investigative article for Boston Magazine on dangerous cargo transported through the city, and the Golden Hammer Award from the National Association of Home Builders for an investigative article on home inspections. She has written articles for many publications, including the New York Times Magazine, The Atlantic Monthly and Ms. Magazine.
In 1987, she published her first biography, A Mind of Her Own: The Life of Karen Horney (Simon and Schuster, Addison-Wesley and Perseus) for which she received the Boston Globe's Laurence L. Winship Award.
For her next book, Marie Curie: A Life, she was the recipient of a Guggenheim Fellowship and a Rockefeller Foundation writing residency at Bellagio in Italy. A reviewer in Science magazine predicted that her book "is certain to be this generation's biography of Marie Curie." Marie Curie was a finalist for the Los Angeles Times Book Award and was on the short list for the Fawcett Book Prize in England. It has been translated into eight languages, and was awarded the Elle Grand prix des lectrices in 1997.
In 2001, Quinn published Human Trials: Scientists, Investors and Patients in the Quest for a Cure. It was described as a "real-life thriller" by the New York Daily News. Human Trials was chosen by Library Journal as one of the best sci-tech books of 2001.
Susan Quinn has lectured all over the United States, and has spoken in France and Poland about her biography of Marie Curie. In 2000, the University of Wisconsin at Stout awarded her a Doctorate of Humane Letters.
Quinn has served as the Chair of PEN New England, a branch of the writers' organization PEN International. She is an accomplished flutist, and continues to participate in chamber groups on a regular basis. Susan is married to a psychoanalyst, Daniel Jacobs and has two children and four grandchildren. She lives in Brookline, Massachusetts just outside of Boston.
