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Robert Paterson's Song Cycle Performed By American Modern Ensemble 3/1

Robert-Patersons-Song-Cycle-To-Be-Performed-By-American-Modern-Ensemble-20010101

Composer Robert Paterson’s song cycle, Stepping Into The Batter’s Box, He Hears His Father’s Voice will be performed by the American Modern Ensemble (the group founded by Paterson and his wife violinist Victoria Paterson), as part of their concert entitled Good Sports on Thursday, March 1, 2012 at 7pm at Galapagos Art Space (16 Main Street, Dumbo, Brooklyn).

The program, centered around a sports theme, also includes October 5, 1941 by Annie Gosfield, GRA by Elliott Carter, Football Season is Over by Stephen Gorbos, Dark and Stormy Night by Roger Zare, Triple Play by Meyer Kupferman, and Sprint by Rob Smith. The concert is dedicated to New York clarinetist Paul Garment, who died earlier this year.

Paterson’s Stepping Into The Batter's Box, He Hears His Father's Voice will be performed by tenor Dimitri Pittas and pianist Blair McMillen. The piece was written in collaboration with poet Bridget Meeds and journalist Kenny Berkowitz, whose text is loosely based on the life of baseball giant Mike Piazza of the New York Mets. Each movement represents a different phase of the game, and thoughts of Piazza's father also tie the material together.

Paterson says, “I interpret this work as being less about Piazza the individual and more about the all-American baseball player. The Common musical thread through each movement is a tonally ambiguous whole tone scale.”

In addition to Pittas and McMillen, AME players for this concert are Sato Moughalian, flute; Benjamin Fingland, clarinet; Meighan Stoops, clarinet; Jeremy Justeson, alto sax; Victoria Paterson, violin; Orlando Wells, viola; Wendy Sutter, cello; and Matthew Ward, percussion.

About Robert Paterson: Composer Robert Paterson's richly colorful, wildly eclectic and intensely rhythmic music is influenced by visual art, nature, machines, and more, and is inspired by everything from the changing seasons, crashing waves, and Dali's melting clocks to the life Mike Piazza. From 2009-2012, he is the Music Alive composer-in-residence with the Vermont Youth Orchestra Association, sponsored by Meet The Composer and the League of American Orchestras. The residency will culminate in a commission for a major new work for orchestra and chorus. Other recent honors include winning the Cincinnati Camerata Composition Competition, the Copland Award, Louisville Orchestra Composition Competition, Brian Israel Prize, two ASCAP Young Composer Awards, and grants from Meet The Composer, the American Music Center, the American Composers Forum and ASCAP, as well as fellowships to Yaddo, the MacDowell Colony, the Aspen Music Festival, and the Atlantic Center for the Arts.

Born in 1970, Paterson was raised in Buffalo, New York, the son of a sculptor and a painter. Percussion was his first love, and an enduring one. Paterson pioneered the development of a six-mallet marimba technique presenting the world’s first all six-mallet marimba recital at the Eastman School of Music in 1993. He discovered a passion for composition early in life as well, writing his first piece at age thirteen.

Recent and upcoming performances of Paterson’s work include the European premiere and sixteen additional performances of Dancing Games by the Orchestre National des Pays de la Loire (France); the premiere of a new work for the Vermont Symphony Orchestra conducted by Jaime Laredo; two new choral works for the Chamber Choir of Europe; an orchestral opera in two acts with writer and librettist David Cote, based on the award-winning British novel A Child Possessed by R.C. Hutchinson; Wind Quintet by the Philharmonia Quintet (Poland); Eternal Reflections, commissioned for the San Francisco-based Volti choir; Embracing the Wind by the Aureole Trio and New York Harp Trio; the Louisville Orchestra world premiere of Electric Lines, winner of the orchestra’s new music competition, and a work previously selected for the Minnesota Orchestra and American Composers Orchestra New Music Readings; Enlightened City, commissioned for the 100th anniversary of the IHS Orchestra; and the world premiere of Crimson Earth by the University of Connecticut Wind Ensemble.

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