Exclusive Photo Coverage: Inside ELF's Gypsy Robe Ceremony

The Gypsy Robe began in 1950, when Bill Bradley, in the chorus of GENTLEMEN PREFER BLONDES, borrowed a dressing gown from Chorus member Florence Baum and sent it to a friend in CALL ME MADAM on opening night Oct 12, 1950 saying it was worn by all the Ziegfeld beauties and would "bless" the show. A cabbage rose from Ethel Merman's gown was added and the robe was passed along to next Broadway musical on opening night. The tradition evolved so that the robe is now presented to the "gypsy" who has performed the most Broadway musicals on a chorus contract. Along the way, the robe is decorated, painted, patched, stitched, and signed by everyone in the show, becoming a fanciful patchwork for an entire Broadway season.

Recognizing their cultural and historic value, Gypsy Robes can now be viewed at two of Equity's Offices. The National Headquarters in New York now houses two of the historic Robes. The second floor Audition Center's newly designed case displays the Robe from the 2006-2007 season, which was dedicated by the ACCA to the memory of Patrick Quinn. The 2007-2008 Robe, dedicated to Broadway veteran Adrian Bailey, can be viewed on the fourteenth floor Council lobby.

Photo Credit: Walter McBride/Retna Ltd.

Theatre Marquee

Theatre Marquee

Carlos L. Encinias recipient for Scandalous

Carlos L. Encinias recipient for Scandalous

Carlos L. Encinias recipient for Scandalous

Carlos L. Encinias recipient for Scandalous

Beth Leavel 

Wayne Knight

Beth Leavel & David Westphal

Making their Broadway Debuts: Mitchell Sink, Jason Eric Testa & Rory Donovan

Mark Jacoby, Beth Leavel & Mitchell Sink

Michael Mandell, Beth Leavel, Mitchell Sink & Mark Jacoby