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NYMF The Last Starfighter: The Hoedown Armada

Skip Kennon's music and lyrics are good, and appropriately stuck in the 1980s.  Highlights are Otis' chromatic "Things Change", Alex's wish-song "Somebody Who Goes Somewhere And Does Something", the teen-movie-pastiche "Spring Break", and Louis' show-stopping soft-shoe "Zandozan".  "Love is Like Water", sung by Alex's mom, Maggie, Maggie's Granny (Janet Carroll, who is certainly not old enough to be a grandmother), and Elaine (Mary Ellen Ashley), is a strange number, unsure whether to be a ribald comic tune with watery double entendres or a ballad about the vagaries of love.  Centauri's "To Be a Hero" is appropriately sappy.

All of the music is synthesized, which is appropriate at times, though perhaps a misstep for a story that intends to show the humanity of the characters.  One of the thrilling moments of the original movie was hearing the tinny videogame music translated into the movie's score.  And the midi sound of the banjo hoedown leitmotif that accompanied the frame story was somewhat grating.  The music also was pre-recorded (no musicians were listed in the program), which seemed to rob it of humanity as well- the volume was a bit low the night I saw it, which brought the energy down (though I understand a few of the NYMF shows are having sound issues, and I was there opening night).

The cast is great- Danny Binstock is perfect as Alex and hilarious as the Beta Unit.  Ryan Jesse is great as Blake, Alex's earthbound nemesis, but doesn't summon up the petulant insanity required to pull Zur over the top where he needs to be- he's just not very frightening.  Adinah Alexander is touching as Alex's harried mother.  Joseph Kolinski is amusing as Centauri, though he doesn't have Robert Preston's magical charisma (though in his defense, who does?), he does a solid job in the role, especially in the more touching moments.

The supporting cast is great. I especially enjoyed Jonathan Richard Sandler, Natalie Hall, Lauren Marcus, and Jesse JP Johnson*.

It's odd- it seems at times that no one in the cast has actually seen the film, as many of the classic lines were thrown away.  While that's a valid choice, in that a) actors often stay away from seeing other actors in a role, wishing to create their character themselves, and b) in the frame story the trailer park denizens have only Alex's stories to go on in creating their roles, it's somewhat disappointing.  For a show based on a cult film, it seems the actors and director (Elizabeth Lucas) didn't honor the rabid fans who go in expecting certain things.

Still, the show was highly entertaining, and I'd certainly recommend it.

* who keeps threatening to get naked in "Spring Break", but sadly never does.  I was hoping for a quick butt-shot, at least.

The Last Starfighter
The Theater at St. Clements
423 W. 46th street (between ninth and tenth avenues)

Remaining performances:
Wednesday, Oct 3rd at 9:00 pm
Friday, Oct 5th at 1:00 pm
Friday, Oct 5th at 5:00 pm
Saturday, Oct 6th at 9:00 pm
Sunday, Oct 7th at 4:30 pm


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Duncan Pflaster is an award-winning playwright (Winner, "Outstanding New Play", 2008 MITF award; Winner, Spotlight On Award, "Best New Play" 2005 and 2006), whose plays have been produced in New York, New Jersey, Georgia, and Florida. He also has been known to direct, write music, play the ukulele, and (if his arm is twisted) act. www.duncanpflaster.com

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