Michael McGrath is the recipient of this year's Tony Award for Best Performance by an Actor in a Featured Role in a Musical for NICE WORK IF YOU CAN GET IT.
Michael McGrath's Broadway credits include Born Yesterday, Memphis, Spamalot (Tony® and Drama Desk nominations), Is He Dead?, Wonderful Town, Little Me, Swinging On A Star (Theater World Award winner, Drama Desk nominaton), The Goodbye Girl, My Favorite Year. Encores: Follies, The Boys from Syracuse, DuBarry Was A Lady.
His Off-Broadway credits include The Cocoanuts, The Butter and Egg Man, Game Show, Louisiana Purchase, Forbidden Broadway. On television he has appeared as side man to Martin Short on "The Martin Short Show." On film he has appeared in The Interpreter, Changing Lanes, Ira and Abby.
The new musical comedy NICE WORK IF YOU CAN GET IT, featuring music and lyrics by George Gershwin and Ira Gershwin and a book by two-time Tony Award-winner Joe DiPietro, stars Matthew Broderick and three-time Tony Award nominee Kelli O’Hara. The production is directed and choreographed by three-time Tony Award-winner Kathleen Marshall. The production is playing at Broadway’s Imperial Theatre (249 West 45th Street).
In addition to Matthew Broderick as Jimmy Winter and Kelli O’Hara as Billie Bendix, the production also stars Academy Award-winner Estelle Parsons as Millicent Winter, Tony Award-winner Judy Kaye as Estonia Dulworth, Tony Award nominee Michael McGrath as Cookie McGee, Tony Award nominee Jennifer Laura Thompson as Eileen Evergreen, Chris Sullivan as Duke Mahoney, Robyn Hurder as Jeannie Muldoon, StanleyWayne Mathis as Chief Berry and Terry Beaver as Senator Max Evergreen.
The cast also features Cameron Adams, Clyde Alves, Kaitlyn Davidson, Jason DePinto,Kimberly Faure, Robert Hartwell, Stephanie Martignetti, Barrett Martin, Michael X. Martin, Adam Perry, Jeffrey Schecter, Jennifer Smith,J oey Sorge, Samantha Sturm, Kristen Beth Williams and Candice Marie Woods.
The creative team includes scenic design by Derek McLane, costume design by Martin Pakledinaz, lighting design by Peter Kaczorowski, sound design by Brian Ronan and orchestrations by Bill Elliott. The music supervisor is David Chaseand the music director Tom Murray.