This month, as part of our "Debut of the Month" series, Broadway World is shining the spotlight on Maria Elena Ramirez, who is making her Broadway debut as Rachel Jackson in Bloody Bloody Andrew Jackson, which begins previews on September 20th and opens on October 13th.
Ramirez has been involved with Bloody Bloody Andrew Jackson since 2007 and her other theatre credits include The Thugs, Living Out and Princess Turandot. She received her M.F.A. from New York University's Graduate Acting Program.
Entertainment Reporter Nick Orlando spoke to Ramirez about the musical, her Broadway debut and the production's journey from off-Broadway to Broadway.
Congratulations on your Broadway debut! We are very excited for the show to hit Broadway.
Thank you so much!
How did you prepare for this moment, for making your Broadway debut?
I've been with the show in many incarnations since 2007, so I guess there's been about three and a half years of preparation through workshops, readings, concerts, and two full productions. I never thought we'd get the chance to do this on Broadway, but it's especially nice to have this much history with a show if it's going to be your Broadway debut.
What are the biggest challenges when it comes to theatre?
Obviously, making a living at it is not always easy! But I also think it's challenging to create something that is unique without worrying if it has a commercial capacity. I think Bloody Bloody Andrew Jackson is a good example of that.
Describe your role, Rachel Jackson.
Rachel Jackson is Andrew Jackson's wife. I love that she is described in historical literature as a
good dancer and a great storyteller - a real coquette. She and Jackson were truly devoted to each other. In the show, we briefly hit upon the accusations of bigamy against her (she unknowingly was still married to her first husband when she married Jackson), and also how she died right after Jackson was elected President. She died before his Inauguration.
What is it like to play her?
It's a lot of fun to play Rachel. And Ben Walker is wonderful to work with. I like that in the show we create an arc for her that begins as a young woman meeting Jackson, their love affair, and then ultimately, her death. And within that, I love being able to go from very silly to very serious, and at times, combining them both. And it's fun to be able to rock out, too!
Have you been recreating or transforming your role in anticipation of the Broadway debut?
We just finished our last run at the end of June, so I've been thinking about the challenges of the last production and things I'd personally like to work on. And we have some new little tweaks. It's nice to know the show inside and out, at this point, but there are always things to work on.
Where were you when you heard the good news that the production will be transferred to Broadway?
I think I was here in the city. We had heard inklings for a while, but I was thrilled for everyone involved.
What are you looking forward to from the Broadway production?
I'm definitely looking forward to meeting fans of the show! And I'm very excited to be in the Jacobs. It's a beautiful theatre. I think it's really going to be transformed by our set and lighting design. In our last production, the set stretched out into the theatre. I'm eager to see how that is going to translate to a bigger space.
Has much changed from Off-Broadway to Broadway?
The show is basically the same from our Off-Broadway run. We've added some new lines, etc., just to keep things fresh and to explain some things a little better. And certainly we are tweaking things here and there. It's all about refining and details, at this point.
Have you ever had any embarrassing moments on stage?
Well, you really need to watch yourself in this show, because my colleagues are extremely funny, and sometimes you can't help but react. One of the most memorable on this show was during a scene when Jackson introduces me to the art of medical bleeding. I'm supposed to turn to the audience and say, "Isn't this a commonplace early 19th century medical procedure?" As I turned my head to the audience that night, I realized I had forgotten what the line was. All I knew at that moment was that it contained the word "medical" and some century. So when I finally opened my mouth I said, "Isn't this a commonplace early 21st century medical condition?" After that, I could barely keep myself together and laughed all the way to our duet. When you've been doing a show for this long, anything off the beaten track is fodder for your cast mates. And I didn't hear the end of it for days!
