The Public Theater's production of Stephen Sondheim and James Lapine's INTO THE WOODS, part of The Public's 50th Anniversary season at the Delacorte opened last night, August 9th. BroadwayWorld's Richard Ridge was there on opening night to interview the cast! Check out what they had to say below!
Tickets for Shakespeare in the Park are free and distributed the day of the performance. All performances are at 8:00 p.m. For ticket information and performance schedule, visit www.shakespeareinthepark.org or call 212-539-8750. The Delacorte Theater in Central Park is accessible by entering at 81st Street and Central Park West or at 79th Street and Fifth Avenue.Directed by Timothy Sheader with co-direction by Liam Steel, the cast of INTO THE WOODS features Amy Adams (Baker's Wife); Jack Broderick (Narrator); Glenn Close (The Voice of the Giant); Gideon Glick (Jack); Cooper Grodin (Rapunzel's Prince); Ellen Harvey (Cinderella's Stepmother); Ivan Hernandez (Cinderella's Prince, Wolf); Tina Johnson (Red Ridinghood's Granny); Josh Lamon (Steward); Bethany Moore (Florinda); Jessie Mueller (Cinderella); Donna Murphy (The Witch); Denis O'Hare (The Baker); Jennifer Rias (Lucinda); Laura Shoop (Cinderella's Mother); Tess Soltau (Rapunzel); Sarah Stiles (Little Red Ridinghood); Kristine Zbornik (Jack's Mother); and Chip Zien (Mysterious Man). The non-Equity ensemble of INTO THE WOODS features Victoria Cook, Johnny Newcomb, Noah Radcliffe, and Eric R. Williams.The 2012 Shakespeare in the Park summer production of INTO THE WOODS is based on the Regent's Park Open Air Theatre London Production, produced by Timothy Sheader and William Village for Regent's Park Theatre Ltd. INTO THE WOODS features scenic design by John Lee Beatty and Soutra Gilmour; costume design by Emily Rebholz; lighting design by Ben Stanton, sound design by ACME Sound Partners, puppetry by Rachael Canning, wig design by Leah Loukas, movement direction by Liam Steel; orchestrations by Jonathan Tunick; and musical direction by Paul Gemignani.
Video shot and edited by Jonathan Frank
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