In the mid 90’s, in an apartment high above the energy and grit of Manhattan’s Hell’s Kitchen neighborhood, 17-year-old Ali squints toward the horizon until she can just see the Hudson River. Despite the warnings of her protective mother, the symphony of the street calls to her—promising freedom, excitement, and the possibility of love. Finding herself. When a wise piano teacher helps her find her voice, Ali learns she can make the city her own.
Don’t miss this exhilarating, joyful, coming-of-age story filled with that New York Grit about chasing your dreams, honoring your roots, identity and finding your voice. Directed by four-time Tony Award® nominee Michael Greif, with choreography by Tony Award nominee Camille A. Brown, a book by Pulitzer Prize finalist Kristopher Diaz, and featuring Keys’ new original songs and iconic anthems—in a story inspired by her own NY experience—HELL’S KITCHEN is the kind of Broadway musical dreams are made of.
As its title suggests, Hell’s Kitchen extends its attention to the neighborhood beyond the central story. The fire escapes and signage of Robert Brills’s scenic design and Perter Nigrini’s projections, augmented by the dazzle of Natasha Katz’s lighting, help set the urban scene. But the most important factor is Brown’s outstanding choreography: Executed gorgeously by an ensemble that includes several dancers she has worked with in the past, the show’s bold and graceful movement summons a world of kinetic energy for Ali to tap into when she is finally able to organize her talent. When Hell’s Kitchen inevitably concludes with “Empire State of Mind,” the song doesn’t feel tacked on, because New York has been keenly felt throughout the show. It may touch on social issues of consequence, but Hell’s Kitchen is ultimately a celebration of the city—and the people who make it pop.
Along with choreographer Camille A. Brown, whose dances burst with unrestrained youth and Manhattan chutzpah, the director gives Ninth Ave’s unique bustle energy without resorting to old cliches. It’s a show that’s true to its city. And at the end, when the cast sings the lyric “concrete jungle where dreams are made of,” the crowd walks out into Times Square fully believing it.
General Rush
Price: $39
Where: Shubert Theatre box office
When: When the box office opens on the day of the performance.
Limit: Two per customer.
Information: Subject to daily availability. The box office opens Monday through Saturday at 10am (ET) and Sunday at 12pm (ET).
Digital Lottery:
Price: $39
Where: rush.telecharge.com
When: 12am (ET) one day before the performance with winners announced that same morning at 10am (ET), with a second announcement of additional winners that afternoon at 3pm (ET).
Limit: Two per customer
Information: Tickets are subject to availability. Seats may be partial view.
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